[REVIEW] MARÍA HESSE USES OTHERWORLDLY ILLUSTRATIONS TO MAKE SENSE OF THE LIFE OF DAVID BOWIE
The life and times of David Bowie are brought vividly to life by an illustrator who takes his iconic alter egos and makes them her own.
[LIST] ROGUES PORTAL’S FAVORITE HALLOWEEN READS
If you love Halloween you watch and read as many horror flicks as possble. Here is Rogues Portal’s Halloween Reads to help you get into the Halloween spirit
[REVIEW] WANDERER EXPLORES WORLD AND SPIRITUALITY
Woodstock goes on a year-long trip from the Netherlands to Nepal to find himself and God in Wanderer: The Ultimate Hippy Trail Journey.
[EDITORIAL] HOW GARETH HINDS USES GRAPHIC NOVELS TO BREATHE NEW LIFE INTO THE CLASSICS
Here’s how Gareth Hinds makes classics like The Iliad, The Odyssey, and the work of Shakespeare accessible to new generations of readers.
[REVIEW] KEVIN HUIZENGA’S ‘THE RIVER AT NIGHT’ EXPLORES THE MADNESS AND MAGIC OF OUR EVERYDAY LIVES
Kevin Huizenga takes the meditative state of an insomniac and turns it into a treatise on love, life, and the human condition.
[REVIEW] ROB PAULSON’S ‘VOICE LESSONS’ IS FULL OF HEART AND CARTOON NOSTALGIA
Rob Paulson’s ‘Voice Lessons’ is a nostalgia trip and feel-good survivor narrative all rolled into one.
[WORLD LITERATURE] GILGAMESH: THE FIRST SUPERHERO
In this iteration of World Literature, I will address how superheroes came into existence blasting us to the ancient past with the first epic in history from Mesopotamia: The Epic of Gilgamesh, introducing the first Superhero ever!
[PODCAST] FBPH PRESENTS: A CONVERSATION WITH MALKA OLDER
In this special episode of the Hour Stacy talks with Malka Older, show runner for Serial Box about the upcoming release of Orphan Black: The Next Chapter!
[WORLD LITERATURE] CANDIDE & THE BEST POSSIBLE WORLD
Candide (1759) is a work of international literary importance. Besides its ranking as one of the most important pieces of literature, the genius, in my opinion, Voltaire managed to write a short but fulfilling book that represents the absurdism of constantly view the glass as half-full.