Tribeca 2018: Duck Butter
Duck Butter feels like a personal yet deeply private film, one that layers romantic commitment like we’ve never seen before.
Tribeca 2018: Tully
Tully touches on the heartbreaking parts of motherhood and the darkness and light that comes with it that a lot of people don’t regularly talk about.
Tribeca 2018: Obey
While it’s not the most original film in the world, Obey gets by on some great performances, great moments and a great sense of place.
Tribeca 2018: Stockholm (2018)
Stockholm is an absurdly fun movie. Once the action starts, it doesn’t stop, and that’s just how you’ll like it.
Tribeca 2018: Roll Red Roll
Schwartzman and her crew do a great job of focusing on the important parts of the Steubenville case in an engaging way without being exploitative. Roll Red Roll is a film that will stick with you for a while, which always makes for an easy recommendation.
Tribeca 2018: Nico, 1988
Touching with powerhouse performances and emotional narrative, Nico, 1988 is something that stands out on its own from other biopics following in its wake.